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The objective was to document the visit by G Gordon Liddy to the client’s studios, getting both posed and in action images.
The assignment was to photograph a woman who was the subject of an article on women of color hitting a glass ceiling in terms of promotions/advancement.
We were to capture a portrait of a subject in his office for a small magazine article. It wasn’t a leading off image, but rather something for further on in the article.
The need was to produce to PR-style images of two executives for an association. Rather than have them waste a day coming to us, instead, we always prefer to go to the client, setting up in their space, making it easier for the client’s subjects.
The objective was to photograph a defense analyist in a classified location, the National Defense University, in their lobby. I didn’t want to overcomplicate the shot, so I used just a single light, with a missle behind her, and more importantly, the large glass walls, which was supposed to illustrate a transition of “transparency” of her work, and that of the type of work she does.
The Assignment Construct is a commentary about what went into, what went on behind-the-scenes, or otherwise occured before, during, or after an assignment. Everything from images of the setup, to choices of camera angle, client requests (and fulfillment), and so on.
capitol hill dinners/galas events hard news in action indoor portraits indoors outdoor portraits outdoors people performances places press conferences protests/rallies receptions studio work the national mall the white house things travel what we use
